upcoming events at hallwalls contemporary arts center, buffalo, ny;
other local listings; sundry filler material
Friday, January 30, 2009
Guilt is a rope that wears thin. — Ayn Rand
On the whole human beings want to be good, but not too good, and not quite all the time. — George Orwell
Sunshine is delicious, rain is refreshing, wind braces up, and snow is exhilarating; there is no such thing as bad weather, only different kinds of good weather. — John Ruskin
If God wanted us to fly, He would have given us tickets. — Mel Brooks
TONIGHT @ THE ALBRIGHT KNOX ART GALLERY WHY BIENNIALS: A Beyond/In WNY Prologue Event 7:15 and ABSOLUTELY FREE
@ Hallwalls TOMORROW Sat, Jan 31, 8pm GRÜVOLOGY Live Recording Sessions "Grüvology has been well received by jazz and r&b audiences in Buffalo, in particular as the recent opening act for Alex Bugnon at the Tralf Music Hall. Solid musicianship based on a strong musical background and education combined with appealing improvisations, original compositions and arrangements of jazz and r&b standards as well as live performances at a high energy level contribute to win over audiences who enjoy live and spontaneous interaction of musicians based on a solid "grüv". grüvology is intent on pushing the envelope, keeping the spirit of jazz alive and vibrant by being open to many musical influences and incorporating them into their compositions and improvisations. Audiences note the band's ability to segue from a tightly constructed composition to creating improvised music on the fly or improvising a backing track for a poetry reading. Moving now into their 3rd year of playing together the band has gone past the level of the jazz standards cover band, and has developed a level of intuition and instinctive interaction which allows it to freely spin a composition into a new and unanticipated performance." MYSpace
@ Hallwalls Wed, Feb 4, 7pm Exhibit X fiction & prose: KIM CHINQUEE FORREST ROTH Hallwalls Literature
two exhibitions @ Hallwalls thru Feb 24 gallery hours Tues to Fri 11am, Sat 1—4pm Lee Goreas: Stars and Pars
Goreas brochure text:
Jennifer Locke: Actions Locke brochure text:
@ Hallwalls Feb 26, just in time to stave off insanity
Opening Elsewhere • Big Orbit Members Exhibition op Sat, Jan 31, 8—11pm • James Paulsen @ Burchfield Nature & Art Center op Sun Feb 8, 1—3pm (thru Apr 11) • Malcolm Bonney, Bruce Blair, Robin Mois, Rennee Oubre, Steve Rovner, Larrry Griffis, Karen Sirgey in The Cartesian Divide @ Artspace op Fri, Feb 20, 6—9pm (thru March 29) • Think Green closing reception @ Art Dialogue Fri, Jan 30, 4-6pm • Peter Fowler @ Kepa3 op Fri, Jan 30, 6-9pm (thru Feb 17)
After the Albright Panel Discussion TONIGHT, Check this Out
Amy Greenan @ Castellani op Sun, Feb 1, 2—5pm
Openings @ CEPA February 7
Blue Paintings by Geraldine Liquidano Blue Pottery by Douglas DeBoth op @ Galleria Blanca & Atelier (Orchard Park) Fri, Feb 13, 6—9pm
Gary Nickard & Reinhard Reitzenstein: Wunderkammen @ Olin Library, Kenyon College (OH) op Thurs, Jan 22, 7:30pm (thru Feb 28)
Klaws/Vores Live Jan 30
Continuing Elsewhere • John Aasp. Kevin Kline @ BAS thru March 7 • Dorothea Braemer @ Olean Public Library thru Feb 8 • Lukia Costello @ Buffalo Museum of Science thru Apr 16 • Biff Henrich @ Nichols thru March 16 • Diane Baker @ Chow Chocolat thru Feb 21 • Western NY Impressions: Selected Prints from the Gerald Mead Collection @ NCCC thru Feb 27 • Allison Greene @ Indigo thru Feb 8 • Gene Witkowski, Glenn Murray, Robert Schultz, Michael Mulley, Jeannine Swallow, Jerry Greenberg, Amanda Giczkowski, Nick DeMarchi, Fran Amaya, Tim Raymond, Candace Keegan, Neil Mahar, Joe Moran, Sean Madden, Even Everheart @ College Street Gallery thru Feb 4 • Kara Daving @ Charleston Heights Arts Center in Las Vegas thru Mar 14 • Cool Todd Art Show @ Hardware thru Feb 24 • Catherine Schuman Miller @ BNAC thru Feb 1 • Bruce Bitmead at Analytical Psychology Society of WNY (408 Franklin) thru Mar 12 • Noncommittal and MicroCosmic @ UB Art Gallery (thru Feb 7) • Rita Argen Auerbach at The Mansion on Delaware (until daylight savings time ends) • Diane Baker at The Mansion on Delaware (indefinitely)
"Quincy Jones has started a petition to ask President-Elect Obama to appoint a Secretary of the Arts.While many other countries have had Ministers of Art or Culture for centuries, The United States has never created such a position. We in the arts need this and the country needs the arts--now more than ever.Please take a moment to sign this important petition and then pass it on to your friends and colleagues." Secretary of the Arts Petition
BEYOND/IN WESTERN NEW YORK: ALTERNATING CURRENTS PANEL DISCUSSION JAN 30/09 SUBMISSION DEADLINE: MARCH 15/09 Beyond/IN Western New York 2010
Something I listened to this week... It's only been three and a half months of daily listening. It still sounds lean and mean and fresh and deep and sublime. Amazing stuff.
Nothing in the world is permanent, and we're foolish when we ask anything to last, but surely we're still more foolish not to take delight in it while we have it. If change is of the essence of existence, one would have thought it only sensible to make it the premise of our philosophy. — W. Somerset Maugham
Friday, January 23, 2009
Boredom: the desire for desires. — Leo Tolstoy It's not enough that we do our best; sometimes we have to do what's required. — Sir Winston Churchill
The hottest places in hell are reserved for those who, in time of great moral crisis, maintain their neutrality. — Dante
The moment we choose to love, we begin to move towards freedom. — bell hooks
Yippie Kay Yay, MF and Don't Let the Washington Monument Hit You On The Way Out I thought I was too jaded to be surprised by anything political, but this was no week for the jaded. I was caught completely off guard. Not by the emotion of Inauguration Day. Not by Chief Justice Roberts flubbing the Oath of Office. Not by the insane numbers of people braving the cold. But after the Oath, as President Obama began escorting former President Numbnuts off the premises, I was overcome by the emotion of watching this aging cheerleader leave. Holy shit, he's actually leaving!
There was a small measure of hilarity about it too, as he stumbled up the steps of the helicopter and gave what can only be described as a klutzy wave goodbye, an ignominious salutation befitting the legacy of turddom he was leaving behind. It was an interesting measure of just what a failure this guy was that he couldn't even wave goodbye with grace. Richard NIxon, at the depth of the deepest valley of failure, had enough gumption to swing himself around, plaster a whopping smile on his mug and flash his arms in emphatic (albeit ironic) victory signs. Nixon at least recognized that even amid tragedy, history leaves space for pomp. Chucklehead Charlie looked like nothing so much as the last unwanted guest to leave a house party where the house has been utterly trashed. Then the helicopter flew away. Wow. I had not anticipated the deep jubilation of that moment. The near-unbelievable aspect to it. Then a journalist on CNN became, to my ears, the first to utter the words "former President Bush" and the historic page felt fully and completely turned.
And President Obama's Reality Smackdown aka The Inaugural Address—I was struck by this deep thinking man with his wild combination of enthusiasm, optimism, and nonchalant humility. He went so far later that day to explain how all this this was not about him. Well, okay, but I would have been immensely satisfied had President Obama's first words in his Address been "I have earned political capital...and I intend to spend it!" but our President is too gracious to stoop that low, even to deliver a Zinger For the Ages. I hope they work that line into the impending SNL skit. They could cut to Laura turning to Georgie and whispering, "Hon, you got served!"
I tried not to wallow too long in the schadenfreuden of one man's graceless fall and momentarily imagined what might be going on in Bizarro World. Bizarro George Bush might have foiled the 9/11 terrorist plans altogether. Or he may have risen to the occasion and stayed there, steeling the country with compassionate conservatism to such a degree that when Katrina hit, he'd be stacking sandbags and rescuing people from rooftops before the storm had even died down. But Bizarro World isn't real. We'll have to settle for the real which, four days into President Tall Cool One's tenure, still feels sufficiently bizarre and imaginary and...unreal. But there he is. He's doing things. Everyone's calling him Mr. President. We are good to go.
Welcome to the 21st century, America. It wouldn't have been the same without you.
@ Hallwalls TOMORROW Sat, Jan 24 @ 8pm GB Jones' The Lollypop Generation "Toronto artist and Queercore legend G.B. Jones (founding member of the band Fifth Column and co-publisher with Bruce LaBruce of the fanzine J.D.s) visits Hallwalls to present her latest film, over a decade in the making. Shot on Super 8, the loose-knit narrative follows a "cabal of baby-faced hooligans, queer punks and hustlers as they lick suckers, make out and make mischief in seedy alleyways and crash pads across North America!" (Sarah Liss, Eye Weekly) THE LOLLIPOP GENERATION tells the story of a runaway teenager 'Georgie' (Jena von Brücker), and the people she meets on the street. At the same time, the film serves a diaristic function, documenting the characters and the cities to which Jones traveled over the course of 13 years. With performances by Vaginal Davis, Anonymous Boy, Scott Treleavan, Jen Smith, Joel Gibb, and with music by The Hidden Cameras and Bunny & the Lakers among others!" Wikipedia two exhibitions @ Hallwalls thru Feb 24 gallery hours Tues to Fri 11am, Sat 1—4pm Lee Goreas: Stars and Pars
Goreas brochure text:
Jennifer Locke: Actions Locke brochure text:
Opening Elsewhere • Diane Baker @ Chow Chocolat op Fri, Jan 23, 5-8pm (thru Feb 21) • James Paulsen @ Burchfield Nature & Art Center op Sun Feb 8, 1—3pm (thru Apr 11) • Malcolm Bonney, Bruce Blair, Robin Mois, Rennee Oubre, Steve Rovner, Larrry Griffis, Karen Sirgey in The Cartesian Divide @ Artspace op Fri, Feb 20, 6—9pm (thru March 29) • Lukia Costello at Buffalo Museum of Science op Fri, Jan 16, 5-8pm
Amy Greenan @ Castellani op Sun, Feb 1, 2—5pm
Biff Henrich @ Nichols Jan 26—March 16
Starlight Studio Show & Sale thru Jan 30
Western New York Impressions Selected Prints from the Gerald Mead Collection
@ NCCC op Thurs, Jan 29, 5-8pm, Collector's Talk @ 1pm(thru Feb 27)
Klaws/Vores Live Jan 30
Continuing Elsewhere • John Aasp. Kevin Kline @ BAS thru March 7 • Dorothea Braemer @ Olean Public Library thru Feb 8 • Gene Witkowski, Glenn Murray, Robert Schultz, Michael Mulley, Jeannine Swallow, Jerry Greenberg, Amanda Giczkowski, Nick DeMarchi, Fran Amaya, Tim Raymond, Candace Keegan, Neil Mahar, Joe Moran, Sean Madden, Even Everheart @ College Street Gallery thru Feb 4 • Kara Daving @ Charleston Heights Arts Center in Las Vegas thru Mar 14 • Destiny Rogowski @ Hardware thru Jan 9 • Cool Todd Art Show @ Hardware thru Feb 24 • Catherine Schuman Miller @ BNAC thru Feb 1 • Bruce Bitmead at Analytical Psychology Society of WNY (408 Franklin) thru Mar 12 • OP Art Revisited at the Albright thru Jan 25 • Noncommittal and MicroCosmic @ UB Art Gallery (thru Feb 7) • Rita Argen Auerbach at The Mansion on Delaware (until daylight savings time ends) • Diane Baker at The Mansion on Delaware (indefinitely)
Allison Greene @ Indigo thru Feb 8
Lukia Costello @ Buffalo Museum of Science thru Apr 16
BEYOND/IN WESTERN NEW YORK: ALTERNATING CURRENTS PANEL DISCUSSION JAN 30/09 SUBMISSION DEADLINE: MARCH 15/09 Beyond/IN Western New York 2010
PEEPSHOW Call For Submissions: Deadline Jan 24
"We are looking for performance, sculpture, installation and media art proposals from local and regional artists for PEEPSHOW, Squeaky Wheel's largest bi-annual fundraiser and art event. This year's PEEPSHOW will be held on February 21st at the legendary and beautiful DNIPRO Cultural Ukrainian Center (562 Genesee St). The theme is "A Secret Worth Keeping" and can be translated in any way you see fit.
"To submit: Send us a 1-page description of your proposal including project details, the equipment you'll need from Squeaky Wheel (projectors, monitors, dvd players, etc), visual documentation of project (if available), and a copy of your resume. Installation artists will be able to install the week of show and all works must be removed by Sunday, February 22nd."We are also looking for single-channel videos (5 min. or less) to play in various locations. We accept clearly labeled mini-DV, DVD, and VHS video submissions."Send all proposals/submissions to:Squeaky Wheel, 712 Main St., Buffalo, NY 14202, Attn: PEEPSHOW 09"
Deadline is January 24th, 2009 by 5pm.
Participating artists will be announced the first week of February."
CEPA MEMBERS SHOW Call For Submissions: Deadline Jan 26
"CEPA Gallery is seeking submissions for its annual Members Exhibition to be held February 7 – March 21, 2009. An opening reception will be held at CEPA in the Market Arcade Complex,617 Main St., on Saturday, February 7 from 7:00-10:00 PM. We are proud to announce that this year’s juror is Heather Pesanti, Curator,Albright-KnoxArtGallery. All work is due at CEPA by 5 PM, Monday, January 26, 2009. For artists who wish to have their work sent back to them, returns will only be made via US Postal Service or FedEx. Please provide postage, FedEx account number or a check to cover the amount for the return.
·"All current, new, and renewing members of CEPA are invited to participate.
·All members may submit 1 piece of photo-related art for inclusion.
·All work should be ready to hang, meaning matted and/or framed. All work should be labeled with artist’s name, title, process, date, and sales price.
·Video and Film work is acceptable, but please contact the Gallery prior to submitting to make arrangements.
·Visit CEPA’s website or contact the Gallery office (716-856-2717) for membership information.
·Exhibition Dates: February 7 – March 21, 2009. Submissions can be dropped off at CEPA starting Monday, January 5, 2009 and are due by Monday, January 26, 2009."
"This year’s juror is Heather Pesanti. Ms. Pesanti recently moved toBuffaloto accept the vacant Curator position at theAlbright-KnoxArtGallery. Prior to accepting the position at the Albright Knox she had been the Assistant Curator of Contemporary Art at theCarnegie Museum of Art inPittsburgh.
"This year CEPA will continue its tradition of awarding 2 EXHIBTION AWARDS. EXHIBITION AWARDS recognize those artists who demonstrate an elevated level of artistic maturity and skill in their work. The winners will receive a solo exhibit of their work in the 2009/10 exhibition year. To be considered for an EXHIBITION AWARD artists must submit 10 slides or images on CD, a slide script, an artist statement, and an artist resume with their Members’ Show artwork submission. This facet of the Members Exhibition is open to all artists. It is an option and does not affect regular submissions to the exhibit. Other awards including “Best In Show” will also be presented."
The Houghton Gallery Wants Your Submissions Deadline: Feb 6 Houghton Gallery
"The severe economic downturn reveals an ugly truth about the art world, that despite the surface pretensions to progressive and radical thought, the economics of the art business are as cutthroat and reactionary as the most unregulated hedge fund or predatory investment bank." artnet Finch
"Rist’s installation is an impregnation and an incantation. It is also an exorcism. As I’ve said in these pages before, MoMA is—even with this show and the current Marlene Dumas survey—a place where very little work by women is on view, at least in the permanent collection. Rist’s installation comments on and reacts to this misogyny." artnet Saltz
“I put a Jewish beard and sidelocks and a yarmulke on him. I thought, if Warhol is going to Warholize the Jews, then I’m going to Jewify Warhol.” NY Times
"Stephen Sprouse was a dud when he was alive, and now, in a historical show of his ratty, derivative designs at Deitch Projects' Wooster Street space, he's a dead dud." artnet Finch
"I have a soft spot for art that, in terms of subject matter and material, is in bad taste." artnet Saltz
"It was during a vacation in Corsica in 2001 that Mr. Belmondo had a stroke that paralyzed the right side of his body and left him unable to speak for six months." NY Times
"Because of his popularity, a bad sign to many art world insiders, Wyeth came to represent middle-class values and ideals that modernism claimed to reject, so that arguments about his work extended beyond painting to societal splits along class, geographical and educational lines. One art historian, in response to a 1977 survey in Art News magazine about the most underrated and overrated artists of the century, nominated Wyeth for both categories." NY Times Kimmelman NY Times Rohter artnet Saltz
Something I listened to this week... (vinyl) From 1962, you might expect this album of cover versions to be a pale imitation of the originals, but it's a pretty great album, done as a deep homage to one of the musicians who had most influenced Darin. I'm predisposed to both Bobby Darin and cover versions so maybe I would have liked it anyway. But it far exceeded those common denominators.The band is tight, the backup singers are great, the production is crisp and alive, and Darin sounds extremely comfortable with the material. It wouldn't be fair to compare these to the originals but if you did, you'd be hard-pressed to describe Darin's renditions as lesser versions. I thought this was a rollicking r&b album from start to finish. I would put this on at a party. It was so good, I listened to it twice in a row and enjoyed it even more the second time. In the album liner notes, Darin says "We were not trying to imitate, emulate or assume a position, we just wanted to get into the same groove, get the same feeling. Making this album was one of the biggest kicks of my life." Dig.
We are at the very beginning of time for the human race. It is not unreasonable that we grapple with problems. But there are tens of thousands of years in the future. Our responsibility is to do what we can, learn what we can, improve the solutions, and pass them on. — Richard Feynman
Friday, January 16, 2009
We are always the same age inside. — Gertrude Stein
The truth does not change according to our ability to stomach it. — Flannery O'Connor
I have lost friends, some by death... others through sheer inability to cross the street. — Virginia Woolf
Happiness is having a large, loving, caring, close-knit family in another city. — George Burns
There Has To Be A Morning After Okay, history pop quiz. Which President left office under the greatest cloud of disgrace: Richard Nixon or George W. Bush? Ooh, tough call. As I'm sure I've related to many of you, the day I came down from Toronto to interview at Hallwalls was Election Day 2000. I headed back to Hogtown after a good interview, with the notion that it might not be so bad to move to the Land Of Gore. Had anyone told me that all that was awaiting us was eight years of President Skippy McFuckwad, I probably would have come anyway, though the optimism might have drained from my body a lot sooner. Had he even tried to be a compassionate conservative, I would be more than game to give him some props. Instead, he decided it might just be the best thing for the country if he were a grade A turd. So, regrettably, he leaves office the way he entered office: an overprivileged fratboy for whom everyone else has done the heavy lifting. He's no smarter for the experience and all this save-my-legacy humility he has tried to wield of late does not even rise to the level of farce. It's fine for Skippy to point out that there have been no terrorist attacks since 9/11. It might have been slightly more useful had he been paying some kind of attention to these issues in August 2001 while he was enjoying his four-week paid vacation. Well, shit happens. He's going back to the ranch to work on his pecs. Here's hoping we are back on the right side of the looking glass.
And now...we get to spend the next 4-8 years watching a vibrant young man turn old and gray before our eyes. If I got to choose the song for the Inauguration, it would be The Temptations' Ball of Confusion.Oh, great GoogaMooga, can't you hear me talking to you...
@ HW TONIGHT@ 8pm Stop And Go: Stop Motion Films and Videos "San Francisco based artist Sarah Klein has curated a collection of works by established filmmakers and visual artists who use this animation technique to "tell stories, examine visual phenomena, and make political statements in this collection of short videos. The animators breathe life into magazine cutouts, homemade drawings, everyday objects, and even the body itself. The result is a selection of videos that are humorous, poignant, and marvelous."
OPENING TOMORROW! CHECK OUT THE EXHIBITION OPENING @ BUFFALO ARTS STUDIO,THEN HEAD ON OVER TO HALLWALLS (or vice versa) @ HW opening Sat. Jan 17 @ 8pm artist talks @ 8pm
Lee Goreas • Stars & Pars New works about Astronomy, Golf and Art History 37 years ago in early February 1971 astronaut Alan Shepard became the person to hit a golf ball on the surface of the moon. He used a makeshift six iron and two balls he smuggled onto Apollo 14. Before he left the surface of the moon he hit both balls into the landscape of the moon. Toronto artist Lee Goreas' current body of work brings together four things of great importance to the artist: drawing, astronomy, sculpture and golf. Within these seemingly disparate subjects are a raft of cross-current and connections that touch upon ideas of scale, mass, time, space and history. The pencil crayon drawings for Stars & Pars combine art history with popular culture—more specifically, the popular sport of golf is combined with the less popular history of Modern sculpture. Within each drawing, a sculpture by a historically-significant artist is situated within an imaginary golf course landscape in a humorous and ludicrous hybrid. Respect for the integrity and importance of the sculptures—and the lush modernism of imagined greens—is maintained as a new aesthetic terrain is suggested. Included in Goreas' hypothetical Post Modern Sculpture Park are works by Rachel Whiteread, Robert Smithson, Joseph Beuys and Louise Bourgeois.
Jennifer Locke • Actions The work of San Francisco artist Jennifer Locke examines power structures in relation to voyeurism, the body, and technological mediation. Working in performance, short-form video, and digital photography, Locke's work uses the body (often hers) as bait within a paradigm that references the artist/model relationship, bdsm, and more recently, wrestling. Locke's camera functions as the voyeur mediting these relationships and creating a framework within which Desire is rearticulated, disciplined, and delivered through its presence and its gaze. Locke positions herself as artist, as desired object, and as voyeur in an attempt to dominate the viewer but is ultimately subsumed by the truly dominant performer, the camera.
@ HW Thurs Jan 22 @ 8pm Charles Gayle/Han Bennink Duo "Gayle's music is spiritual, and heavily inspired by the Old and New Testaments. He has explicitly dedicated several albums to God. His childhood was influenced by religion, and his musical roots trace to gospel, boogie-woogie and ragtime music. After his church experiences, Gayle credits among his influences Louis Armstrong, John Coltrane, Albert Ayler, Thelonious Monk, and Art Tatum. He has performed and recorded with Cecil Taylor, William Parker, and Rashied Ali among many others."
Opening Elsewhere • Diane Baker @ Chow Chocolat op Fri, Jan 23, 5-8pm (thru Feb 21) • Cool Todd ARt Show @ Hardware op Sun Jan 18, 5pm (thru Feb 24) • Raphael Beck @ Kenan Center op Sun, Jan 11, 2-5pm • Lukia Costello at Buffalo Museum of Science op Fri, Jan 16, 5-8pm
John Aasp / Kevin Clark Kline @ BAS op Sat, Jan, 17, 7-10pm (thru March 7)
Starlight Studio Show & Sale thru Jan 30
Western New York Impressions Selected Prints from the Gerald Mead Collection
@ NCCC op Thurs, Jan 29, 5-8pm, Collector's Talk @ 1pm(thru Feb 27)
Klaws/Vores Live Jan 30
Continuing Elsewhere • Gene Witkowski, Glenn Murray, Robert Schultz, Michael Mulley, JeanNine Swallow, Jerry Greenberg, Amanda Giczkowski, Nick DeMarchi, Fran Amaya, Tim Raymond, Candace Keegan, Neil Mahar, Joe Moran, Sean Madden, Even EVerheart @ College Street Gallery thru Feb 4 • Destiny Rogowski @ Hardware thru Jan 9 • Catherine Schuman Miller @ BNAC thru Feb 1 • Ani Hoover @ Betty's thru March 8• Architecture & Education @ CEPA thru Jan 18 • Bruce Bitmead at Analytical Psychology Society of WNY (408 Franklin) thru Mar 12 • OP Art Revisited at the Albright thru Jan 25 • Noncommittal and MicroCosmic @ UB Art Gallery (thru Feb 7) • Harvey Breverman, Bruce Jackson, Terri Katz-Kasimov at UB Anderson Gallery thru Jan 18 • Richard Huntington, Max Streicher @ the Castellani thru Jan 18 On the one hand, thirty years of paintings crunched into an intensely swift mini-retrospective. On the other, a gigantic inflated dung beettle. Win/win! • Michael Goldberg @ Anderson Gallery thru Jan 18 • Michael Goldberg @ UB Anderson Gallery thru Jan 18 • Rita Argen Auerbach at The Mansion on Delaware (until daylight savings time ends) • Diane Baker at The Mansion on Delaware (indefinitely)
Hans Gindlesberger @ Gallery 44, Toronto thru Feb 14
BEYOND/IN WESTERN NEW YORK: ALTERNATING CURRENTS PANEL DISCUSSION JAN 30/09 SUBMISSION DEADLINE: MARCH 15/09 Beyond/IN Western New York 2010
PEEPSHOW Call For Submissions: Deadline Jan 24
"We are looking for performance, sculpture, installation and media art proposals from local and regional artists for PEEPSHOW, Squeaky Wheel's largest bi-annual fundraiser and art event. This year's PEEPSHOW will be held on February 21st at the legendary and beautiful DNIPRO Cultural Ukrainian Center (562 Genesee St). The theme is "A Secret Worth Keeping" and can be translated in any way you see fit.
"To submit: Send us a 1-page description of your proposal including project details, the equipment you'll need from Squeaky Wheel (projectors, monitors, dvd players, etc), visual documentation of project (if available), and a copy of your resume. Installation artists will be able to install the week of show and all works must be removed by Sunday, February 22nd."We are also looking for single-channel videos (5 min. or less) to play in various locations. We accept clearly labeled mini-DV, DVD, and VHS video submissions."Send all proposals/submissions to:Squeaky Wheel, 712 Main St., Buffalo, NY 14202, Attn: PEEPSHOW 09"
Deadline is January 24th, 2009 by 5pm.
Participating artists will be announced the first week of February."
CEPA MEMBERS SHOW Call For Submissions: Deadline Jan 26
"CEPA Gallery is seeking submissions for its annual Members Exhibition to be held February 7 – March 21, 2009. An opening reception will be held at CEPA in the Market Arcade Complex,617 Main St., on Saturday, February 7 from 7:00-10:00 PM. We are proud to announce that this year’s juror is Heather Pesanti, Curator,Albright-KnoxArtGallery. All work is due at CEPA by 5 PM, Monday, January 26, 2009. For artists who wish to have their work sent back to them, returns will only be made via US Postal Service or FedEx. Please provide postage, FedEx account number or a check to cover the amount for the return.
·"All current, new, and renewing members of CEPA are invited to participate.
·All members may submit 1 piece of photo-related art for inclusion.
·All work should be ready to hang, meaning matted and/or framed. All work should be labeled with artist’s name, title, process, date, and sales price.
·Video and Film work is acceptable, but please contact the Gallery prior to submitting to make arrangements.
·Visit CEPA’s website or contact the Gallery office (716-856-2717) for membership information.
·Exhibition Dates: February 7 – March 21, 2009. Submissions can be dropped off at CEPA starting Monday, January 5, 2009 and are due by Monday, January 26, 2009."
"This year’s juror is Heather Pesanti. Ms. Pesanti recently moved toBuffaloto accept the vacant Curator position at theAlbright-KnoxArtGallery. Prior to accepting the position at the Albright Knox she had been the Assistant Curator of Contemporary Art at theCarnegie Museum of Art inPittsburgh.
"This year CEPA will continue its tradition of awarding 2 EXHIBTION AWARDS. EXHIBITION AWARDS recognize those artists who demonstrate an elevated level of artistic maturity and skill in their work. The winners will receive a solo exhibit of their work in the 2009/10 exhibition year. To be considered for an EXHIBITION AWARD artists must submit 10 slides or images on CD, a slide script, an artist statement, and an artist resume with their Members’ Show artwork submission. This facet of the Members Exhibition is open to all artists. It is an option and does not affect regular submissions to the exhibit. Other awards including “Best In Show” will also be presented."
The Houghton Gallery Wants Your Submissions Deadline: Feb 6 Houghton Gallery
Swag! Thanks to Al Volo for not just sending a xmas card last month but an actual watercolor. It's called Some Thoughts (Liminal Bodies).
"This energetic artist connects the 18th century aesthetics of everyday items, like a spoon, and transforms them with special effects 'so now it’s a spoon with a story,' she points out." Buffalo News Continelli
File this under: Well, La Dee Da...the NY Times is not asking ME to blog for them. so it may be time for David Kramer to rethink his positions on pathos and self-deprecation... NY Times blog
"Let EVERYONE know about it...before Jan 20!" says Diane Bush
"As a performer Mr. Montalbán was fluid and broad, the kind of actor who could telegraph his intent with intelligence and humor. His ability to move easily between comedy and drama kept him busy long after his beefcake appeal began to fade." NY Times obit
Something I listened to this week... What I forgot to mention last week about Ernie K. Doe was that this Southern soul singer, the "Emperor of the World" existed in reasonable obscurity unti 2007, when an Australian department store named Boots used his song Here Come The Girls! in a commercial and reinvigorated sufficient interest that his class album was re-released finally on cd. Here's the commercial that did it:
I really liked this album. It's no Blood On The Tracks or Here, My Dear, but it's definitely its own kind of iconoclastic break-up record. I don't care that Kanye is using mainly an 808 drum machine and an Auto Tune application that fakes a singing voice. It sounds pretty great, he's lost none of his production chops. It was smooth enough to hold my attention from beginning to end. It's a strange dark album and I give Kanye lots of credit for at least never boring me.
I liked this album so much I'm tempted to make "Remind me in 3 days" my phrase for 2009. You could work some serious procrastination mojo with a phrase that good. The Knux are a pair of rappers—Krispy Kream and Rah Al Millio—from New Orleans, displaced by Katrina and now working out of Los Angeles. It's a great record, really solid throughout, with more than a few standout moments, a stripped-down low-fi sound, and more than a few infectious hooks and great samples. It was such a stupidly alluring record that I can't quite decide if that's the faint aroma of a flash in a pan. If they can sound this fresh next album, you'll know something's going on. So I can't tell if I think this is a one-off or not. But it does have the only rap song, I think, about coffee. I need a fresh cappuccino with a mocha twist....
Regard your good name as the richest jewel you can possibly be possessed of—for credit is like fire; when once you have kindled it you may easily preserve it, but if you once extinguish it, you will find it an arduous task to rekindle it again. The way to gain a good reputation is to endeavor to be what you desire to appear. — Socrates