Wednesday, April 23, 2008




Some cause happiness wherever they go, others whenever they go.
— Oscar Wilde

It's enough to drive you crazy, trying to depict the weather, the atmosphere, the ambience.
— Claude Monet

The measure of a country's greatness is its ability to retain compassion in times of crisis.
— Thurgood Marshall

Don't look back—something may be gaining on you.
— Satchel Paige


First Things First: Fucking A!
Best Art Moment of the Year!

"U.S. District Judge Richard J. Arcara said the government could not support the charges of wire fraud and mail fraud for the way Kurtz obtained bacteria from a fellow academic at the University of Pittsburgh, Dr. Robert E. Ferrell."
The Buffalo News

Go here and scroll to the bottom to read the Judge's ruling.


Current Hallwalls Exhibitions
thru May 30
Tues to Fri 11am to 6pm, Sat 1 to 4pm

Buff News Dabkowski Preview

Barbara Weissberger

Are we just going to stand and watch this?


Barbara Weissberger Website


Chambliss Giobbi
Time and Again


Chambliss Giobbi Website


Mon, Apr 27, 7-9pm
Buffalo MARK Artists' Talks @ HW
w/ Dennis Bertram, Lukia Costello, Kara Daving, Jax Deluca, Valerie Dunne, Amy Greenan, Kevin Kegler, Connlith Keogh, Iris Kirkwood, Alberto Rey, Richard Thompson, & Jacqueline Welch

All participating artists will be giving a 5-minute presentation on their work, which ranges from painting and sculpture to photography and video.
This event is FREE and open to the public.
MARK is the New York Foundation for the Arts’ professional practice program for visual artists throughout New York State. In the spring of 2008, 66 artists from six different regions are participating in MARK, a six-month program that focuses on providing feedback, support, and strategies for expanding each artists’ professional visibility. Partnering organizations in the program include Hallwalls as well as other arts organizations throughout New York State.


Wed, Apr 30
, 7pm
Buffalo Academy for Visual and Performing Arts Guitar Ensemble
FREE



Hallwalls in MAY
May 14 • Perry Nicholas & Penelope Prentice (literature)

May 15 • Jim Finn: The Juche Idea (screening)
May 16 • Douglas Ewart Ensemble (music)
May 17 • Open Music Ensemble: Asheboro Wake (music)
May 31 • Artists & Models: UNHINGED

For times, ticket prices, and futher details, see Hallwalls April Calendar.


May 31—Mark Your Calendars




Opening Elsewhere
• Geoffrey Alan Rhodes at Big Orbit opening Sat, May 3, 8—11pm (thru June 28)
• Michael Veit at the Castellani opening Fri, May 2, 5-9pm (thru Sept 14)
• Nancy Treherne Craig at Meibohm (E. Aurora) opening Fri, May 2,6-9pm (thru May 31)
• Jennifer Contini, Amber Maida at Redfish Studios (E. Aurora) opening Fri, May 2 (thru May 26)
• Catherine Parker at Charles Burchfield nature & Art Center opening Fri, May 2, 7-9pm (thru June 29
• Nick DeMarchi at College Street Gallery opening Fri, Apr 25, 7-9
• 10 short films by Philly filmmakers at Squeaky Wheel Fri, Apr 25, 8pm
• Charles Vacanti at Stuyvesant Gallery opening Fri, Apr 25, 6-9pm (thru May 9)


"It opens Friday night, April 25, from 5:30-8PM, with hours 1-4 Saturday and Sunday, then it's over."

Tom Hughes @ 218 Grant Street
Exhibition announcement also arrived with three warnings:
"My studio is in an unfinished building. No bathrooms—the building is under renovation. There is a chance one may be finished. No kids—really. There is an element of danger to some of the art. I'm keeping my kids at home, please do the same."
Autocrat


Rita Argen Auerbach, George Palmer

opening at Insite, Fri, Apr 25, 7-9pm(thru May 27)
Artist Talk, Sunday, Apr 27, 2pm
Buffalo News Dabkowski


A Place For Their Stuff



Robert Schulman at Betty's

opening Mon, May 5, 6-9pm (thru June 27)




Collage Archive Project @ Anderson Gallery



Call for Work • May 5 Deadline


The Olean Public Library has a 30-year history of exhibiting the work of established and emerging artists of New York State and beyond, supported by the New York State Council on the Arts.

The Olean Public Library is currently reviewing proposals for the 2009 exhibition program, which will include six solo exhibitions. The Library's visual arts program focuses on artists in Upstate New York, with particular interest on artists living in Western and Central New York. Emerging artists are encouraged to apply. Visual art in all media is shown in the space, including painting, sculpture, drawing, printmaking, photography, video installations, etc. The 2009 exhibition program will include 1-2 video installations. Honorarium and travel costs provided.

Submit by May 5th: 10-20 images in slides or digital format (approx. 1 MB size each, no larger than 2 MB each), resume, artist statement, and SASE to Cynnie Gaasch, Visual Arts Curator, Olean Public Library, PO Box 284, Buffalo, NY 14205. If sending digital files, please enclose hard copy print outs of thumbnails or larger images.



Continuing Elsewhere
Eric Jensen at NIchols School thru May 5
Jennifer Steinkamp at the Albright thru June 29
Edollia at Quaker Bonnet thru Mar 31
(In)visible Cities by UB School of Architecture at UB Gallery thru May 17
• Kate Kennedy at El Museo thru May 24
• Shadi Nazarian at UB Art Gallery re-opens to the public July 1—July 25
• Mark Freeland at Lagniappe's (Allen St) thru May 5
• Tony Paterson at the Center for Inquiry thru May 31
• Peter Caruso, Phoenix Hawelu, Caim Hedland, Scott Klaurens, Daniel Rodgers,
• Lurie Tanner at B. West thru Apr 27
• Len Rusin at Partners in Art Gallery thru Apr 25
• Errol Daniels at Olean Public Library thru May 3
• Beth Hintemeyer at Hardware thru May 16
• Peter Caruso, Phoenix Hawelu, Caim Hedland, Scott Klaurens, Daniel Rodgers,
• Lurie Tanner at B. West (148 Elmwood) thru Apr 27
• Len Rusin at Partners in Art Gallery (Tonawanda) thru Apr 25
• Errol Daniels at Olean Public Library thru May 3

James and Catherine Koenig at Meibohm Fine Arts (East Aurora) thru April 26
Sam Francis at UB Anderson Gallery thru May 25
Robert Swain at Nina Freudenheim thru May 14

Diane Baker at Globe Market thru May 31
• Donna Fierle at Buffalo Bi Print thru Apr 30
Elizabeth Leader at CG Jung Center thru May 23
• Chris Stangler at Insite thru April 20
Buff News Dabkowski review
Douglas Repetto Colin Dabkowski review Artvoice Albert Chao and Shadi Nazarian at UB Art Gallery thru May 17
Art Dialogue Annual Juried Members Exhibition thru Apr 25
Queen City Gallery First Anniversary Party with New Work by Michael Mulley thru Apr 30
William Cooper at Starlight Studio & Gallery thr Apr 25
Diane Baker at The Mansion on Delaware (indefinitely)


Your Guide To Aggressive Common Sense
For the next several weeks, we'll continue to work our way through the alphabet and consider some definitions extracted from The Doubter's Companion: A Dictionary of Aggressive Common Sense by John Ralston Saul. We're up to the letter K...but I'm skipping the letter K because the only two definitions were KANT and KISS and they were both dull as dishwater, so on to the letter L...

LOS ANGELES
A Biblical city built, as the parable goes, on sand, subject to earthquakes, flooding, mud slides, forest fires, drought, race riots and gang warfare, as well as record levels of police corruption, violence and pollution. It is home to the film and television industry, which is devoted to selling the American way.

LOVE
The solution to all problems in inverse ratio to income. A state of emotion which is usually, but not always, focused on at least one other person. A term which has no meaning if defined.


"I came here 10 years ago and they were still talking about the Peace Bridge," said Pietrzak, grinning in his hard-hat in the new museum's gigantic loading dock.


Buffalo News Dabkowski


"The people of Iraq need this kind of positive influence. It's going to have a huge psychological impact..."

Times Online


"Shvarts will be displaying her senior art project, a documentation of a nine-month process during which she artificially inseminated herself 'as often as possible' while periodically taking abortifacient drugs to induce miscarriages."

Yale Daily News

BUT....is it real? "The entire project is ... a creative fiction designed to draw attention to the ambiguity surrounding form and function of a woman’s body..."
urban legends


Think that story was fucked up? This is worse.
Kurtz Cleared. Dog Starved On Purpose.
A hell of a week for art...

Just as my artist-heart was soaring at the news of the dismissal of federal charges against Steve Kurtz, it sank just as rapidly with the news of this regrettable tale. The second link below quotes from the artist's explanation behind the installation, indicating that the dog would have died anyway. That said, had the dog died in its natural surroundings, the artist would not have acquired the notoriety, publicity and attention garnered by the formal framing of the event in a gallery space, and would not thereby have profited from the animal's death. I can justify almost any work of art, even the art for which I find no redeeming value. That's what free speech is all about—allowing space for even the points of view you find immoral and heinous. But this smacks of pathology, crass opportunism veiling a core of sadism. It's clearly a dramatic piece and the outrage it's sparked may direct some to the social situation to which the piece alludes. It's a thin justification. Why not just torch a homeless person in a gallery to "speak to" social disparity and an endemic cultural condition? Because it's just wrong. Joseph Beuys is howling in his grave.

Bad At Sports
The Pink Flamingo


Tate Modern Beuys


BUT....is it real? "The human eye may indeed be treacherous, but no more so than the obfuscations of the artist."

Urban Legends


"They were eating dumplings at the Museum of Modern Art, my fellow art morons, blinded by a urine-colored bank of lights, feeling a pathetic furry wall, watching Kim Cattrall flaunt her round buttocks in front of a pale slide show of dinky pastels."

artnet Finch


"They are mischievously meaningful works...But placed on the architecturally nondescript patio, where there are also shaded areas for patrons of the Roof Garden Cafe, the sculptures too easily turn into benign, decorative accessories."

NY Times Ken Johnson



Thomas Humphrey 1949_2008

NY Times Obit


Joe Feeney 1932—2008

No, I'm not going to reveal a secret adoration of The Lawrence Welk Show. I grew up in a house where my parents, clearly from some other universe, watched it regularly. They seemed to enjoy it immensely, while I sat counting the minutes until something, anything else would be on. Nowadays, I'll happen upon the show, which is aired regularly on public television, and I'll find myself watching it for several long minutes. Its one of the most buoyantly artificial shows ever produced. Ever color palette is over the top—waaaay over—and the performers are all smiling, gleaming performing monkeys. Its a hyperealized evocation of every emotion and gesture presumed to be good and pure and radiant. I's quite a spectacle and even a bit unnerving as it all seems so earnest. While my mother loved everything about the show, the one thing she could simply not tolerate was Joe Feeney, the singer who died this week. I never figured out what made him any more annoying on a show where I found everything equally annoying, but Feeney seemed like the one singer my mother found insincere. Which I always thought was pretty hysterical. My mom was always visibly upset when he appeared and would even change the channel, only turning it back when she felt certain they had moved on to the next song.
NY Times Obit


"Influenced by Sly Stone, the Ohio Players and other leading funk bands of the era, Trouble Funk had a playful, futuristic style that brought go-go closer to the rap sound that was then emerging in New York. Famous as a tight live band, it played shows that routinely lasted for hours."

NY Times Obit


Danny Federici 1950—2008

While I've always been a fan of Bruce, I haven't always had equal enthusiasm for all members of the E Street Band. I could have stood for less Clarence Clemons; felt that Nils Lofgren contributed much more mightily to the band's sound than Steve Van Zant; and could never muster up much enthusiasm for the dependable but uninteresting drumming of Max Weinberg (I always preferred the drummer from Springsteen's second alum, Vinnie "Mad Dog" Lopez). But organist Danny Federici—like pianist Roy Bittan and bassist Gary Tallent—comprised the most eloquent portion of Springsteen's oeuvre, gorgeously filling the ragged spaces in the music that Springsteen himself would create. An immensely talented musician. The loss of such a musical collaborator means the music is forever changed.
NY Times Obit


Something I listened to this week....

While I can (and do) listen to Parliament Funkadelic all year long and can readily listen to them all day long, PFunk is particularly brilliant at the cusp of summer, when all that hot fresh brightness is cracking through your winter/weary brain. One Nation is 30 years old, but remains musically astonishing—as with all PFunk, it is an ebullient celebration of being alive, emphatically so. Does your eight year old have a birthday party this summer? Play THIS album. Besides, while I can't vote, I can still hope that 2008 will see America truly become one nation under a groove. Do you doubt it? "Let me take you by the hand / And spread the funk across the land / It's not hard to understand / Headin' for the master plan... / Pledge a groovallegiance to the funk..."



I went into New World Record on its last day in business and bought the splendid Minutemen documentary We Jam Econo and this new offering from Nick Cave and the Bad Seeds. Joe Strummer died way too young at 50, so here's hoping Nick Cave makes it to at least 102 in order to balance the karmic scales. Having listened to his work since before The Birthday Party, I can genuinely say Nick has never crapped out. Not once. Some albums have been better than others, but they've all been entirely compelling and meritorious. The only reason last year's stunning Grinderman album wasn't my number one pick was due to the unexpected thrill of the Handsome Furs' Plague Park. Deep into middle age, there is nothing about Cave that is diminishing or slowing down. His voice is spectacular, his sense of humor is soaring, and the Bad Seeds remain one of the greatest backing bands around, full of hot chops and lots of depth. Dig!!! Lazarus Dig!!! leaps out at you from the opening/title track and barrels along with smokin' grooves and lotsa laughs. Very hot shit.

I don't know what the story is with this crazy Australian variety show (dig the hilarious musical intro as NIck walks out on stage), but this is a pretty great interview:



And here is Nick's brilliant 1999 essay/lecture on the love song.






I have always been on the side of those who seek the truth, but I part ways with them when they think they have found it. They often become fanatics, which I detest, or if not, then ideologues: I am not an intellectual, and their speeches send me running. Like all speeches. For me, the best orator is the one who from the first phrase takes a pair of pistols from his pockets and fires on the audience.
— Luis Buñuel


Friday, April 18, 2008




A throw of the dice will never abolish chance.
— Stephane Mallarmé

Fear of things invisible is the natural seed of that which every one in himself calleth religion.
— Thomas Hobbes

Western art is built on the biographical passion of one artist for another.
— Jim Dine

The secret of getting ahead is getting started. The secret of getting started is breaking your complex, overwhelming tasks into small, manageable tasks, and then starting on the first one.
— Mark Twain




Next Hallwalls Exhibitions
OPENING TOMORROW
SAT. APRIL 19, 8—11pm

Artists Talks @ 8pm


Buff News Dabkowski Preview

Barbara Weissberger

Are we just going to stand and watch this?




Chambliss Giobbi
Time and Again




TONIGHT, 8pm
Winston Choi solo piano
Asbury Hall at Babeville
$15/$10


Winston Choi website
Buff News Mary Kunz Preview



Tues, Apr 22
, 8pm
Peter Brötzmann/Han Benninck Duo
$10 sugg don




Thurs, Apr 24
, 8pm
BABEL: KIran Desai
Asbury Hall at Babeville
$25

author of The INheritance of Loss
2006 Man Booker Prize & National Book
Critics Circle Award for Fiction
Kiran Desai Interview


Hallwalls in APRIL
Apr 18 • Winston Choi (music)

Apr 19 • Barbara Weissberger, Chambliss Giobbi opening (visual arts)

Apr 22 • Peter Brötzman/Han Benninck (music)
Apr 24 • BABEL: Kiran Desai
mation (literature)

For times, ticket prices, and futher details, see Hallwalls April Calendar.


May 31—Mark Your Calendars




Opening Elsewhere
• Geoffrey Alan Rhodes at Big Orbit opening Sat, May 3, 8—11pm (thru June 28)
• Michael Veit at the Castellani opening Fri, May 2, 5-9pm (thru Sept 14)
• Nancy Treherne Craig at Meibohm (E. Aurora) opening Fri, May 2 6-9pm (thru May 31)
• Jennifer Contini, Amber Maida at Redfish Studios (E. Aurora) opening Fri, May 2 (thru May 26)
• UB Dept of Visual Studies grad show at Central Terminal Sat & Sun. April 19/20, 1—5pm
• Amber Sharlow at College Street Gallery opening Fri, Apr 18, 7-9pn (thru Apr 20)
• Dawn Exton at Cosmopolitan Gallery Fri, Apr 18, 9pm


Kiseub Shin, Beth Tsai @ Squeaky Wheel

Friday, Apr 18, 7pm


Beth Hintermeyer @ Hardware

opening Thurs, Apr 24, 7pm (thru May 16)


"It opens Friday night, April 25, from 5:30-8PM, with hours 1-4 Saturday and Sunday, then it's over."

Tom Hughes @ 218 Grant Street
Exhibition announcement also arrived with three warnings:
"My studio is in an unfinished building. No bathrooms—the building is under renovation. There is a chance one may be finished. No kids—really. There is an element of danger to some of the art. I'm keeping my kids at home, please do the same."
Autocrat


Rita Argen Auerbach, George Palmer

opening at Insite, Fri, Apr 25, 7-9pm(thru May 27)
Artist Talk, Sunday, Apr 27, 2pm


Robert Schulman at Betty's
opening Mon, May 5, 6-9pm (thru June 27)




Collage Archive Project @ Anderson Gallery



Call for Work • May 5 Deadline

The Olean Public Library has a 30-year history of exhibiting the work of established and emerging artists of New York State and beyond, supported by the New York State Council on the Arts.

The Olean Public Library is currently reviewing proposals for the 2009 exhibition program, which will include six solo exhibitions. The Library's visual arts program focuses on artists in Upstate New York, with particular interest on artists living in Western and Central New York. Emerging artists are encouraged to apply. Visual art in all media is shown in the space, including painting, sculpture, drawing, printmaking, photography, video installations, etc. The 2009 exhibition program will include 1-2 video installations. Honorarium and travel costs provided.

Submit by May 5th: 10-20 images in slides or digital format (approx. 1 MB size each, no larger than 2 MB each), resume, artist statement, and SASE to Cynnie Gaasch, Visual Arts Curator, Olean Public Library, PO Box 284, Buffalo, NY 14205. If sending digital files, please enclose hard copy print outs of thumbnails or larger images.


Continuing Elsewhere
Eric Jensen at NIchols School thru May 5
Mark Lavatelli at Insite thru Apr 20
Jennifer Steinkamp at the Albright thru June 29
Edollia at Quaker Bonnet thru Mar 31
(In)visible Cities by UB School of Architecture at UB Gallery thru May 17
• Kate Kennedy at El Museo thru May 24
• Shadi Nazarian at UB Art Gallery re-opens to the public July 1—July 25
• Foad Mozaffari at Big Orbit thru April 19 Arvoice Lucy Yau
• Starlight Studio: Hue Should Value Our Intensity at Albright Knox (Education corridor) thru Apr 20
• Jeffrey Vincent at Hardware thru Apr 18
• Mark Freeland at Lagniappe's (Allen St) thru May 5
• Tony Paterson at the Center for Inquiry thru May 31
• Peter Caruso, Phoenix Hawelu, Caim Hedland, Scott Klaurens, Daniel Rodgers,
• Lurie Tanner at B. West thru Apr 27
• Len Rusin at Partners in Art Gallery thru Apr 25
• Errol Daniels at Olean Public Library thru May 3

• Peter Caruso, Phoenix Hawelu, Caim Hedland, Scott Klaurens, Daniel Rodgers,
• Lurie Tanner at B. West (148 Elmwood) thru Apr 27
• Len Rusin at Partners in Art Gallery (Tonawanda) thru Apr 25
• Errol Daniels at Olean Public Library thru May 3

James and Catherine Koenig at Meibohm Fine Arts (East Aurora) thru April 26
Sam Francis at UB Anderson Gallery thru May 25
Robert Swain at Nina Freudenhem thru May 14

Diane Baker at Globe Market thru May 31
• Donna Fierle at Buffalo Bi Print thru Apr 30
Elizabeth Leader at CG Jung Center thru May 23
• Chris Stangler at Insite thru April 20
Buff News Dabkowski review
Douglas Repetto Colin Dabkowski review Artvoice Albert Chao and Shadi Nazarian at Ub Art Gallery thru May 17
Art Dialogue Annual Juried Members Exhibition thru Apr 25
Queen City Gallery First Anniversary Party with New Work by Michael Mulley thru Apr 30
Dave Buck, Thomas Kegler at the Kenan Center thru Apr 23

Kurt Treeby at the Castellani thru April 20
William Cooper at Starlight Studio & Gallery thr Apr 25
Jeffrey Swalnik at the JCC (787 Delaware) thru Apr 23
Diane Baker at The Mansion on Delaware (indefinitely)


Your Guide To Aggressive Common Sense
For the next several weeks, we'll continue to work our way through the alphabet and consider some definitions extracted from The Doubter's Companion: A Dictionary of Aggressive Common Sense by John Ralston Saul. We're up to the letter J...

JOGGING
An urban sport whose principle long-term effect is to cripple middle- and upper-class professionals. Enthusiasts include orthopaedic surgeons and running-shoe manufacturers.
se who have a direct impact upon reality.

JUDGE
Modern form of the word "Prince" as originally conceived by Machiavelli.
Given a choice over the final seat of authority, our public and private technocracies prefer a disinterested personage appointed for long periods of time, unattached to the daily reality and limited to passive intervention triggered either by disagreement among experts or by the shortfalls in legal clarity.
The natural and continual desire of the corporatist technocracy is therefore discreetly to remove powers from elected assemblies, governments, juries and other public bodies in order to transfer them to legal texts dependent first on administration and second on judges, who will arbitrate when required.

JURY
A body which demonstrates the inherently incomplete nature of law and fact.
Law guides. Fact illustrates. The jury then considers the best possible truth. Its work is an illustration of humanist balance, which explains why the profession of lawyers and judges is constantly reducing the type of cases and the conditions in which juries can be used.


"It’s hard to think of a political candidate in recent memory who has, in real time, inspired so much creativity, exercised free of charge and for the campaign’s benefit."

The Art of Politics


"But copyright was not on Mr. Simon’s mind when he was conceiving Captain America. He didn’t even begin with the hero. “Villains were the whole thing,” he said. And there was no better foil than Hitler. Who better to take him on than a supersoldier draped in the American flag?"

Creator of Captain America


"If an artist makes art intended to function outside the confines of an art museum, does it make sense for an art museum to present a retrospective exhibition of that artist's work?"

LA Times Christopher Knight



"What's passing into history is an aesthetic that matured in the 1970s, produced by Mexican American artists with an eye toward articulation of Mexican American experience. A full generation later, what has arrived on the scene is something different -- an aesthetic produced by Mexican American artists with an eye toward articulating whatever they darn well please."

LA Times Christopher Knight


Joseph Solman 1909—2008

NY Times


Something I listened to this week....

Over the past twenty-five years, I've listened to Bob Dylan's Blonde On Blonde somewhere between fifty and a hundred times. Over the past few weeks, I've been listening—over and over and over again—to the eleven minute opus that concludes the album, Sad Eyed Lady of the Lowlands. Blonde On Blonde was recorded in Nashville with Robbie Robertson, Al Kooper, and a bunch of country session musicians and it's the stark simplicity of the music—and the insanely imaginative tangents that music traverses—that continues to stun me. Sad Eyed Lady of the Lowlands—in 1966, certainly one of the longest songs in the history of popular music—exemplifies the uncharted terrain Dylan was hacking and gnawing his way through with such glee, in search of what he once referred to as "that wild mercurial sound." There's nothing trippy about the music, no sonic embellishments, and the lovely drum beat tumbles alongside an equally lovely piano riff, a quiet hum of organ, and some acoustic guitar—on the surface, a bare bones country arrangement. Layered on top is a languid, expressive vocal performance, one of the finest Dylan ever recorded. His measured, earnest and emotional delivery of lyrics that are eloquently strange, but not as half as ethereal as when you hear Dylan sing them. With all its spare, direct elements, I never fail to marvel at its cumulative, hallucinogenic effect. A great example—though there are many—of Dylan's own remark in his autobiography Chronicles Vol. 1 that people always exalt his lyrics, but he gets little credit for the melodies he's created. Sad Eyed Lady of the Lowlands is is almost quaint in its construction, but, as Joan Baez said of Bob, "goes way deep." Go to iTunes and download the French version of the song, Trista Dama de Les Valls by Gerard Quintana and Jordi Batiste and and you'll hear what an etheral craftsman Dylan is.

The other thing I listened to this week is a mix of country music I made for a friend driving cross country...

!. Dwight Yoakum • Wheels
2. Carl Smith • If Teardrops Were Pennies
3. Patsy Cline • Walkin' After Midnight
4. Hank Thomspon • Teach Em How To Swim
5. Gram Parsons • Cry One More Times
6. Kitty Wells • It Wasn't God Who Made Honky Tonk Angels
7. Moe Bandy • I Cheated Me Right Out of You
8. Loretta Lynn • Don't Come Home A Drinkin (With Lovin On Your MInd)
9. Merle Haggard • I Threw Away The Rose
10. Alice Gerrard & Hazel Green • Tiny Broken Heart
11. Hank Thompson • The New Green Light
12. Loretta Lynn You're Looking At Country
13. Elvis Presley • Blue Moon of Kentucky
14. Ramblin' Jack Elliott • Dark As A Dungeon
15. Dolly Parton • Jolene
16. Merle Haggard • Every Fool Has A Rainbow
17. Tammy Wynette • One Of A Kind
18. Charlie Feathers • Defrost Your Heart
19. Dolly Parton • MIssion Chapel Memories
20. Hank Thompson • On Tap, In the Can, Or in the Bottle
21. Patsy Cline • Sweet Dreams
22. Dwight Yoakum • It Only Hurts When I Cry
23. Hank Thompson • Breakin' the Rules
24. Gram Parson • In My Hour of Darkness
25. Emmlylou Harris • Darkest Hour Is Just Before the Dawn
26. Hank Thompson • We've Gone Too Far






I Am still determined to be cheerful and happy, in whatever situation I may be; for I have also learned from experience that the greater part of our happiness or misery depends upon our dispositions, and not upon our circumstances.
— Martha Washington